Osmo Pocket 4P D-Log and D-Log 2 Footage: Is Grading Worth It?

Real world D-Log and D-Log 2 footage from the DJI Osmo Pocket 4P, each clip finished with a simple colour grade. My Milan and Lake Como videos used the built-in Movie Film Tone at 30% with no grading. This is the other side of that test. I shot a wedding party, grabbing matcha, walking around the city and indoor shopping scenes in D-Log and D-Log 2, DJI's newer log profile, and kept the grade simple. I wanted to see two things: how the result differs from the Film Tones, and whether the extra work is worth it for everyday footage. Camera and settings Camera: DJI Osmo Pocket 4P Colour profiles: D-Log and D-Log 2 Resolution and frame rate: 4K / 60 fps Exposure: Auto, EV 0 to 1.7 ISO: 400 (D-Log) ISO 800 (D-Log 2) White balance: auto Lenses: wide and the 60mm The grade Software: Final Cut Pro on Mac Step 0: Color Space Transform Step 1: LUT used on D-Log and D-Log 2 Step 2: exposure and white balance corrections Not sponsored. I bought the Pocket 4P myself. Check Out My Other Content / LUT: https://linktr.ee/brianhawkes Music from Epidemic Sound: https://share.epidemicsound.com/balyoy More Pocket 4P videos: https://www.youtube.com/playlist?list=PLXGSmH8BKWVQ TikTok: https://www.tiktok.com/@humansintransition Instagram: https://www.instagram.com/lifeofhawkes Sub Count: 1,170 #OsmoPocket4P #DLog2 #DJI