Vivaldi Four Seasons: Winter (L'Inverno), original version. Freivogel & Voices of Music RV 297 4K

Vivaldi Winter! The complete concerto performed on original instruments. Please subscribe to our channel https://www.youtube.com/VoicesofMusic/?sub_confirmation=1 Soundtrack on iTunes https://bit.ly/VoMWinter All Four Seasons now online! https://youtu.be/aryDMAP6oug Buy Cds https://kunaki.com/msales.asp?PublisherId=111319&pp=1 Vivaldi's Concerto for violin and strings in F Minor, "Winter" (L'Inverno, RV 297), the original version is best! Cynthia Miller Freivogel, baroque violin and the award winning Early Music ensemble Voices of Music. Voices of Music is creating a worldwide digital library of music videos, recordings and editions, free for anyone in the world. To support this vital project, which will enable new generations of people all around the world to enjoy Classical music, please consider a tax-deductible donation or sponsor a recording project. With your help, anything is possible! https://voicesofmusic.org/donate.html Voices of Music continues our groundbreaking work as a pioneer in the new field of Ultra-High definition video. Although the Four Seasons is the most recorded work in Classical music, this is the first time that the work is made freely available in this format, and performed on period instruments. Your donations will keep the presses running! Voices of Music and the instruments in this video Hanneke van Proosdij & David Tayler, directors Maria Caswell, baroque viola, anonymous, Mittenwald, c1800 Cynthia Miller Freivogel, baroque violin by Johann Paul Schorn, Salzburg, Austria, 1715 Lisa Grodin, baroque violin by Paulo Antonio Testore, Larga di Milano, Italy, 1736 Katherine Heater, baroque organ by Winold van der Putten, Finsterwolde, Netherlands, 2004, after early 18th-century northern German instruments Carla Moore, baroque violin by Johann Georg Thir, Vienna, Austria, 1754 Maxine Nemerovski, baroque violin by Joseph Gaffino, Paris, 1769 Farley Pearce, violone by George Stoppani, Manchester, 1985, after Amati, 1560 Hanneke van Proosdij, Italian single manual harpsichord by Johannes Klinkhamer, Amsterdam, 2000, after Cristofori, Florence, c1725 Elisabeth Reed, baroque cello, anonymous, 1673 David Tayler, archlute by Andreas von Holst, Munich, 2012 after Magno Tieffenbrucker, Venice, c1610 Tanya Tomkins, baroque cello, Lockey Hill, London, England, 1798 Gabrielle Wunsch, baroque violin by Lorenzo Carcassi, Florence, Italy, 1765 0:00 Allegro non molto 3:31 Largo 5:28 Allegro 9:24 Credits #Kafka #Vivaldi #FourSeasons #wednesdayaddams This performance uses a tuning system adapted from Neidhardt 1724, with attention to the cumulative resonance of F Minor. Musicians bind to the well tuned keyboard chords but drift into a free, just style temperament in the distant keys. The performance is led primarily from the violin but with turns from the continuo group, as this was the practice of the time before the advent of conductors. As you can see and hear in this video, strong bow changes, clear signaling ornaments and musical ideas ripple across the stage in an ongoing visual and acoustical conversation. Entranced by the sound The audience is drawn in A program slips down