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Pedal Tones for Improv - Single Notes - Triads - A Aeolian - Am, Dm, Em Pentatonic - Guitar Tutorial
Guitar Tab - Pedal Tone Exercise-A Aeolian-5th Position - https://www.dropbox.com/scl/fi/fggql9nvrl1hrn1squbf7/Pedal-Tone-Exercise-A-Aeolian-5th-Position.jpg?rlkey=b5uqil2y74phr096lsupzccqm&dl=0 Video Highlights: 0:00 - Introduction 0:44 - A Aeolian - Guitar Tab - as written 2:07 - adding extra A and E notes on strings ② and ③ 2:27 - Am Pentatonic - Blues Box 3:08 - Am Pentatonic - 5 note pattern on strings ④ and ③ 3:40 - Dm Pentatonic - Blues Box 4:30 - Dm Pentatonic - 5 note pattern on strings ④ and ③ 4:40 - Em Pentatonic - Blues Box 5:16 - Em Pentatonic - 5 note pattern on strings ④ and ③ 5:28 - Closing Thoughts 6:22 - talking about using Triads as “Pedal Tones” 7:22 - Ending Improvisation In this video I am playing a late 80's Ibanez Artist in the middle position with a Seymour Duncan Jazz pickup (neck pick-up-parallel) and a Seymour Duncan Jeff Beck pickup (bridge pick-up-parallel) through a Custom Billm Modified Fender Blues Junior in a custom designed cherry wood cabinet with a Jensen Special Design C15N speaker. I'm using Stringjoy Broadways Classic Pure Nickel Strings 10-46, TELEFUNKEN Graphite Enriched Delrin Large Triangle Guitar Pick, 10ft Pig Hog "Western Plaid" right angle cable and a Vintage Belden Custom Instruments braided cable with large (solid) brass ends to connect to the amp. Guitar Pedal: ~EarthQuaker Devices Dispatch Master V2 Delay and Reverb Pedal The guitar amp was recorded with a Stereo Matched Pair of Royer R-10 Ribbon Microphones placed on a stereo bar with the middle of the mic capsule even with the top of the speaker cabinet about 4 inches away. The voice was recorded with a Heil PR-40 microphone. I'm using a RØDE PSA1 Broadcast Microphone Boom Arm and a pair of Sennheiser HD 58X Open Back Professional Jubilee Headphones for monitoring. The percussion track is the DrumJam app (Lucky Dip 08-mm88). Everything is running into an Apogee Element 88 and then into an Apogee Duet and iPhone 13.
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